House/Wilson | 1,845 words | PG
It's hard to regret anything, though. Wilson can't unlearn the things the experience has taught her, wouldn't even want to try. Sequel to When He Was A Girl (You'll Be A Woman Soon Remix).
House/Wilson | 2,835 words | R
One day, Wilson wakes up as a woman.
John/Nancy | PG | 1,406 words
John left this morning, Nancy knows, because his bags aren't in the closet where they usually are when he's home.
McKay/Sheppard | PG-13 | 5,633 words
Meredith McKay gets turned into a man. John Sheppard has a sexual identity crisis. Hijinks ensue.
Matt/Julie | PG | 656 words
In the end, Julie doesn't become her mother after all.
House/Wilson | PG | 1,488 words
Despite the hospital gossip, House is not, in fact, a man-hating lesbian.
House/Stacy, House/Wilson | PG | 1,100 words
Five times House unplugged and thought he was somewhere else.
Wilson/Cuddy | PG-13 | 1,073 words
She could lie to him, tell him it was about the baby, tell him it was because they'd fallen madly in love, tell him that they aren't sleeping together at all. But it's really all so much simpler than that.
Roy/Hughes, Hughes/Gracia, Roy/Hawkeye | PG-13 | 1,603 words
War, what is it good for?
Clark/Lois, Lois/Richard | PG-13 | 3496 words
In which Lois falls in and out of love (but probably not in the ways you'd think).
Clark/Lois | PG | 1,581 words
Lois and Clark, dancing around each other like always.
Roy/Hawkeye | PG | 1,020 words
But she is still not ready to make a decision, to take the first step, and sometimes, when she looks at him, all she feels is the chilly touch of winter.
Hughes/Roy-ish, Hughes/Gracia, Roy/Hawkeye-ish | PG | 1,171 words
There are things you don't dwell on, though, while dead, and Roy is one of them.
Jack/Irina | R | 2,304 words
He never tells Irina that he doesn't love her, because he doesn't like lying when he can help it and he doesn't think she'd believe him anyway.