Roy/Hughes | NC-17 | 2,889 words
In which Roy and Hughes have a deep conversation and sex. Sequel to Maybe Tomorrow
Hawkeye, Roslin, Lois, Cuddy, Èowyn | PG | 841 words
Five characters. Five unconnected ficlets.
Roy/Hughes, Hughes/Gracia, Roy/Hawkeye | PG-13 | 1,603 words
War, what is it good for?
Hughes, Death | PG | 489 words
Death and Hughes have a chat. Spoilers for episode 25
Roy/Hughes, Dream | PG | 884 words
Roy meets someone in the desert.
Roy/Hughes | R | 1,347 words
In which Roy can't let go. Episode 25 spoilers.
Roy, Hawkeye | PG | 760 words
Hawkeye learns to shoot
Roy, Hughes | PG | 394 words
Roy and Hughes, growing up.
Roy/Hughes | NC-17 | 13,163 words
Roy hasn't learned from other people's mistakes.
Roy/Hughes pre-slash | PG-13 | 943 words
In which Kain likes French fries, Jean gets rejected again, Roy can't write lyrics, and Maes is amused by it all. Prequel to Maybe Tomorrow.
Roy/Hughes | PG-13 | 3,945 words
It glows brighter here than it does in New York. rockstar! AU
Roy/Ed | R | 1,130 words
You want to hurt him Warning: non-con.
Roy/Hawkeye | PG | 1,020 words
But she is still not ready to make a decision, to take the first step, and sometimes, when she looks at him, all she feels is the chilly touch of winter.
Hughes/Roy-ish, Hughes/Gracia, Roy/Hawkeye-ish | PG | 1,171 words
There are things you don't dwell on, though, while dead, and Roy is one of them.
Roy | PG | 1, 316 words
Roy angsts. And angsts. And angsts. Spoilers for ep 25
Roy/Hughes | PG-13 | 500 words
And our bodies are earth. And our thoughts are clay. And we eat and sleep with death.
Ed, Al | PG | 641 words
In order to create, you first need to destroy.
Hughes/Roy | PG | 1,260 words
Things had been shifting between them for some time.
ensemble | G | 1,151 words
Thirty years after episode 51, a funeral
Hughes/Roy | PG-13 | 2,222 words
10 (not connected) Roy/Hughes themes.
Seska | G | 578 words
Post-episode 25, Seska cleans out Hughes' office.
Roy/Hughes | R | 6,735 words
Two hundred days of the Ishbal Civil War.